" Sculpture should perpetually intrigue and capture the imagination of it's viewers "


 


 

 

Large public sculpture design and construction, along with smaller, more exploratory pieces have been my primary focus for three decades.  I like to create large, whimsical pieces in rich colors using steel, aluminum, concrete, neon and clockworks.  Early works consisted of monochromatic assemblages of simple, enclosed volume form, executed in welded steel.  As my career and expertise with steel have progressed, more complex, undulating forms have evolved, along with the use of dramatic color.  I explore the use of dioramic forms, two dimensional and three dimensional collaborations, "invisible" support systems and animated forms with and without mechanized elements.

I enjoy creating forms and relationships that did not exist before, and could not exist in any media with less strength and durability than steel.  I have found that color coated steel can impersonate and take on graceful, playful, plastic qualities.  Sculpture should perpetually intrigue and capture the imagination of its viewers.  It should enrich the viewer through repeated and continual contact; adding a friendly grace, beauty and familiar comfort to their lives.

The artwork I produce is humorous, joyous, animated and interactive.  My goal is to design and produce sculpture that can be enjoyed by visitors and members of the community.  I have developed a portfolio of sculptural solutions (form and format) and an enthusiasm for developing new and specific solutions to unique situations.  I fabricate all of my pieces in my mountain top studio in Penngrove, California.     --  Robert Ellison

 

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Slice
(1979)

Painted Welded Steel

22' 7"x11'x9'

This piece represents "the big cheese for The Big Cheese". It comes complete with square macaronis for the round holes and is bright and happy.


Sun Zone

(1998)

Painted Welded Steel, Concrete

14'x14'x12'

The curved billowing forms at the top of the piece are a reference to the dynamic weather of the area. The pyramid forms represents the diversity of Sonoma County. With permanent cast concrete shadow.

Sonoma Co. Administration Ctr., Administration Drive, Santa Rosa, CA.


Sweep
(1999)

Painted Welded Steel, Concrete

15.5'x13.5'x6'

The essence of an award, the gesture of a performance next to a circle symbolizing an embrace. Together, these two structures reflect harmony in diverse forms. This piece is to be installed in the middle of the reflecting pond.

City of Rohnert Park, Spreckles Cultural Arts Center, Rohnert Park, CA.


Time Wave
(1997)

Painted Welded Steel, Neon, Clockworks 

30'x5.5'x4.5'

Contemporary counterpart to the historical Sheperd Clock.

Shepard Building, Rhode Island & Providence Plantations, Washington Street, Providence, RI


Untitled
(1969)

Corten Steel

12'x2'x5'

Very early Corten steel piece designed for the Universal Steel Company. Stacked assembly of simple "cookie cut out" shapes.

Lansing, MI


X-Totem
(1990)

Painted Welded Steel

21'x26"x26"

The classic totem type format with a positive enclosed volume "x" on top and a negative "x" on the bottom. 

Elementary school in Chicago, IL


About This Big
(1988)

Painted Welded Steel

123"x68"x49"

This is a polychrome happy steel guy that you would love to greet you.


Arch Tworain
(1981)

Painted Welded Steel

28'x23'x6'

This gateway contains tubular elements designed to randomly fall from elevated platforms. Three elements are actually suspended and swing freely.

Designed for exhibition by the San Francisco Redevelopment Agency, San Francisco, CA


Alphabet Totem
(1986)

Painted Welded Steel

10'x4.5'x5'

Kind of like a street sign for a roadrunner cartoon.

Artist's residence


Ascent
(1997)

Painted Welded Steel

9'x5'x3'

This is a highly stylized version of a traditional Dutch hat.

City of Cedar Rapids, Cedar Rapids, IA


Bi
(1998)

Painted Welded Steel, Concrete

6'x11'x11'

Frozen motion. Different lengths of looped pipes become interactive as musical instrument. Merit Award Winner San Francisco Art Festival. Private Collector.

Shown during exhibition at San Francisco, CA City Plaza


Bourborygmi
(1980)

Nylon Fabric, Dacron cord, Welded Mild Steel

11.5'x12.5'x8'

Steel bar framework with nylon fabric to generate ephemeral feeling.

Di Rosa Preserve, Winery Lake, Sonoma, CA


Butt What?
 (1987)

Painted Welded Steel

10.5'x4'

Slowly moving accordion shape with bronze butts on either end gets "kicked" back and forth between two boots. Caption with What? on it spins around.

Artist's residence


Cigarette
(1998)

Painted Welded Steel

71"x60"x25"

The heavy metal version of a smoking cigarette. The balancing on pins and flowing smoke add lightness and humor to this familiar image.


Cone Totem
(1987)

Painted Welded Steel

94"x22"x22"

Optical fun


Contest
(1990)

Painted Welded Steel

16.5'x7'x5.5'

This piece is a heroic "Rocky Balboa" type image.

Designed for the Williams Field House at the University of Wisconsin.


Donut Diorama
 (1980)

Painted Welded Steel

14'x22'x25'

Using the two dimensional foreshortening techniques of drawing to create a "diorama" of two equal cylinders with attached support straps, this piece creates an optical illusion.

Wells Fargo Center for the Arts


Feather
(1971)

Welded Corten Steel

27'x17'x3'

This early Corten steel piece explores horizontal formats and knife edge negative spaces.

Wells Fargo Center for the Arts


Four Times Daily
 (1978)

Painted Welded Steel

30'x50'x50'

This piece represents a ribbon nailed to an imaginary wall in the sky, flowing downward. The physical dynamics involve oblique suspension of elevated masses, counter to more conventional symmetrical designs with obvious support systems.

China Camp Design Center, San Rafael, CA (Pictured during exhibition at San Francisco Civic Plaza).


I'll Never Talk Out of Turn Again
(1987)

Painted Welded Steel

124"x72"x72"

Childhood memories executed in animated painted steel.

Santa Rosa Junior College, Petaluma Campus, CA


Anticipation
(1980)

Painted Welded Steel

 57"x30"x3"

A modern rendition of the American flag.

Artist's residence.


Leftover
(1986)

Painted Welded Steel

20'x22'x4'

Two classic ionic columns created whimsically, created arched and bent; one column with an open book on top and the other with a computer mouse and spiraling movement trail.


My Turn
(1975)

Painted Welded Steel 

72"x26"x44"

Top plume turns around on top of slightly wavy legs.

Santa Rosa City Hall, Santa Rosa, CA


No PP
(1986)

Painted Welded Steel 

9.5'x18'x5'

Horizontal sculpture with alphabet cut out shapes dancing along an organic steel form which balances on many thin legs. Spring mounted pivot point renders piece very "wiggleable".

Next Level Communications, Rohnert Park, CA


No Talking During Auger Races
(1988)

Painted Welded Steel 

66"x97"x48"

These auger forms are racing down slots in a multi-footed wedge. The blank cartoon caption forms indicate silence during the race.

Stanford, CT


Olive Goes Public
(1986)

Painted Welded Steel 

7'x5'x2'

Yes, she is having fun, and is not concerned about the limitations of her clothing.

Anonymous collector, France


Peeing Tom
(1986)

Painted Welded Steel 

69"x54"x77"

Peeping Tom's buddy.

Artist's residence


Peeping Tom
(1987)

Painted Welded Steel 

24"x30"x96"

Peeping through a window and casting a shadow inward.

Artist's residence

 


Point to the Time
(1995)

Painted Welded Steel 

30.5'x7'x7' 9"

Whimsical, colorful clocktower.

Kincade Elementary School, Anchorage, AK


 


Renaissance
(1988)

Painted Welded Steel 

10'x16'x17.5'

This whimsical pair of pinking shears cut a flowing ribbon in celebration of something new.

Artist's Residence


Ricochet
(2000)

Painted Welded Steel

25'x15'x10'

Ricochet visually traces a bouncing ball and freezes a moment in time in corten steel.

Great America Building, Cedar Rapids, IA
 


Chase
(2002)

Painted Welded Steel

8'x120'x1"

Whimsical cartoon figures of a slice of cheese, eagerly expectant mice, a cat chasing the mice who just realized he has trouble... the cat has a dog chasing close behind, trailing his leash and boy owner behind him.

Designed for ECD Co. Inc., Buffalo Grove, IL
 


Cherry Soda
(2003)

Painted Welded Steel

14'x6'x4'

Designed for 50's nostalgia of drive in diners.

Albuquerque Community Center
 


Cherry Soda
(2003)

Painted Welded Steel, Neon

21'x16'x10'

The Word "impact" is metaphorically represented as a sphere seemingly crases into the Teen Center.

Podesto IMPACT Teen Center, Stockton, CA
 


Infopoint
(2005)

Painted Welded Steel, Computer

13'x5'x5'

This directional piece is a semi-cylindrical vertical enclosure which acts as an interactive information kiosk.

City of Dallas Art Program
 


Know Way
(2002)

Painted Welded Steel (maquette picture)

20'x22'x4'

Two classic ionic columns created whimsically, created arched and bent; one column with an open book on top and the other with a computer mouse and spiraling movement trail

Dublin Public Library, Open Book Plaza, Dublin, CA
 


Las Mariposas
(2005)

Painted Welded Steel

48"x48"x15"

Monarch butterflies landing on a wavy pole.

Mexican American Community Services Agency, San Jose, CA
 


Mr. Zebra
(1999)

Painted Welded Steel, Hardware

14.5'x56'x4"

Mr. Zebra and his friends at the circus entertain and protect the children during day care.

Alameda County Recorder's Office, Oakland, CA
 


Regatta
(2000)

Painted Aluminum

23'x5.5'x4'

Incorporated a spiraling profile of swirling waves, driving oars, and at its peak, a small sailboat. Its placement (more than 50 feet above ground level) dramatically symbolizes completion of Oakland's new municipal boathouse.

City of Oakland, Crafts and Cultural Arts Department
 


Roll Play
(2001)

Painted Welded Steel

12'x15'x8"

Multi-ethnic children frolic and roll along a giant "o", using teamwork and attitude.

Writer Homes Inc., Harvest Community, Fort Collins, CO
 


Spin
(2002)

Painted Welded Steel

8'x50'x3"

Designed to enclose a bicycle check area in a downtown rapid transit facility, it has a bicycle theme.

San Francisco Bay Area Rapid Transit, San Francisco, CA
 


Torque
(2000)

Painted Welded Steel

9'x3'x3'

A red torqued and contorted square bar standing on end.


 


Tweak360
(2005)

Painted Welded Steel

13'x12'x5'

In sculptural translation the tilting, leaning, bending, twisting forms represent the arms, legs, boards, etc., in the frozen moment photograph.


Jordan Skateboard Park, Salt Lake City, UT  


Twin Torque
(2006)

Painted Welded Steel

80"x34"x24"

Two blue torqued and contorted square bars standing on end.


 


Vortex
(2003)

Painted Welded Steel

120"x26"x48"

The scalloped and circular forms at the top of this trophy-like format become visual metaphors for convergence.